Wexford Arts Centre 20th February – 21 March (open Tues-Sat)
Opening event 17th February, 3pm, with performances by myself and Suzanne Walsh, everyone welcome!

Produced by artist-curators Kay Aplin & Joseph Young of The Ceramic House (UK) in partnership with Irish curator & sound artist Richard Carr, Edges explores ceramics and sound art practice through the work of artists from three nations at the western and eastern fringes of Europe – Ireland, UK and Estonia. The works were developed as part of artist residencies and international exchanges, creating collaborative encounters across the two disciplines.

Edges explores what it means to work at the edge of something and how we understand the outsider. Edges also expands on the idea of artistic practice as a so-called ‘cutting edge’, through the investigation of geographical boundaries and coastlines of the host nations.

The exhibition at Wexford Arts Centre is the result of three separate artist residencies and one new commission. All of the artworks exhibited can be seen as works-in-progress or experimental iterations, made under tight time constraints and in response to place and site.

The first residency took place in April 2022 at The Ceramic House (supported by iPortunus funding) pairing two sound artists from Ireland, Linda O’Keeffe and Suzanne Walsh, with Estonian ceramists Juss Heinsalu and Pille Kaleviste. Over a period of four weeks, they worked together in pairs and the resulting exhibition Peripheries was shown as part of the Brighton Artists Open Houses festival.

The second residency at Interface in the Inagh Valley, Connemara in June 2023, saw Aplin and Young exploring the Connemara landscape, accompanied by curator Richard Carr, in a series of walks and wanderings, gathering binaural sound recordings and plant, fossil, lichen specimens as they went.

The third residency took place at Watts Gallery & Artist Village, Surrey (Oct-Dec 2023), the former home of celebrated artist couple, George Frederic and Mary Watts. Here Kay and Joseph explored a more personal take on encounters through partnership, both through the lens of their own relationship and the creation of The Ceramic House, their artist home, which was conceived and developed by Kay.

Finally, ceramic artist Katharine West (IE) and sound artist Patrick Tubin McGinley (EE) have selected pre-existing works to be displayed alongside each other, creating a dialogue in the gallery space and uncovering new ways of listening and viewing the material (clay) and the ephemeral (sound).

Co-Curators:
Joseph Young (UK)
Kay Aplin (UK)
Richard Carr (IE)

My work in the exhibition is a four channel sound installation with custom built seating, entitled listening to the wind (below), inspired by the life and work of English artist, writer and cartographer Tim Robinson (1935-2020) who lived in Connemara, where I gathered the field recordings that make up the installation.