of noises

Today I would like to announce the launch of my new digital imprint of noises. The first release is a recording of the recent Isolation Concert filmed in the garden of The Ceramic House, Brighton during lockdown, as part of a practice-based research project at Killruddery House & Gardens funded by the Irish Research Council.

Soundscapes in the Pandemic

Radio Aporee has been running a “soundscapes in the pandemic” project on their website, mapping the various ways that the soundscape has changed around the world in response to Covid-19. I’ve contributed 3 recordings so far, you can listen to them below, or you can go to Radio Aporee and listen to them on the…

Isolation Concert

The current crisis forces us all to be creative. When my concert in The Orangery at Killruddery in Bray, Ireland was postponed we decided instead to film the performance in the garden of The Ceramic House in Brighton where I am currently isolated. All of the sounds you will hear have been recorded in and…

Ground Zero on Radio Staalplaat (2020)

Ground Zero revisits some iconic material I collected on Wall Street during the crash of 2008. We arrived on Wall St as artists-in-residence for the Conflux Festival on Sept 11th, right in the middle of the first Obama presidential election campaign. Conspiracy theorists were out on the streets, spouting stories of Israeli Mossad involvement in…

‘Killruddery : Listening to the Archive’ public talk

I am delivering a public talk at Killruddery House (just outside of Bray, Ireland) as part of “Listening to the Archive”, my ongoing artist-in-residence research project there. The presentation introduces the main themes of my practice-based PhD at SMARTlab, part of the Inclusive Design Research Centre of Ireland at University College Dublin.  Killruddery is a beautiful…

#WLD2019

To mark World Listening Day 2019 I have recorded a performance of Dean Rosenthal’s Stones/Water/Time/Breath by the fountain at Killruddery, Bray in Co. Wicklow, Ireland, where I am currently artist-in-residence, as part of an Irish Research Council funded practice-based PhD with SMARTlab, University College Dublin. Link to the score here. Recorded binaurally with Sound Devices…

Last Art Words for a while this Wednesday

This Wednesday is my last Art Words for a while, although the series itself will continue in my absence. It is part of Wednesdays at Phoenix Brighton and is based on a simple idea. Words by artists curated around a single theme. This month I have chosen a selection of readings drawn from the field of…

The Temple of Anagama

Following on from last summer’s attendance at the Kohila wood firing symposium in Estonia with ceramist Kay Aplin, in which I recorded the sounds of a 3-day anagama kiln firing, I am pleased to announce the second output from that trip. The first was the 4 channel sound installation that accompanied Kay’s “Fire and Water”…

Research trip to China – Guangzhou and Foshan

I am back in the UK recovering from jet lag but wanted to quickly post something from one of the main venues on my recent Chinese research trip, funded by Arts Council England and British Council’s Artist International Development Fund. Over two and half weeks, Kay Aplin and I (my co-curator at The Ceramic House)  travelled from…

Fire and Water, a ceramics and sound installation

View this post on Instagram Fire and water, a new work by Kay Aplin & Joseph Young – a unique collaboration in ceramics and sound. Showing next week at Collect Open 2019, Saatchi Gallery London. The water sounds come from Borines in Asturias, Northern Span from the site where Kay gathered the tiny flora that…

A field in England / Prisoners (2018)

I am delighted to announce that I am about to open a new site-specific commission in Leicester, supported by Leicester De Montfort University and IRCAM. The project ‘In Situ’ has commissioned 3 artists to make temporary sonic works that animate historic spaces. I am presenting two works that explore the historic connection between Richard III…